Thanks again for the work on this and for sharing it, Guyaguy, glad you got a chance to check it out! Yeah, it definitely does alter the harmonic content hitting the filter section. Just for fun I set up a voice model where the 5th note produces no sound to model a Juno 106 with a dead voice chip! So I'll probably use 2 Init presets-one for patches I plan to use without other gated sequencer modulation and one for patches in which I plan to use the gated sequencer. But it will provide enough richness for patches where you want to use the gated sequence for other things like notes, filter cutoff, effects, etc. Of course it won't replicate the modeling effect of the round robining of voices pitched slightly differently. Since invariably each strike of a key will have slightly different velocity (at least it will with my limited ability!), each note played will vary in its jitter amount. But there are some workarounds: Use Velocity as Source instead of the Sequencer and route the destination LFO Amount in the Matrix. The only drawback for me is that it eats up the gated sequencer, which I like using for synced stepped modulation. That may be my imagination but it wouldn't surprise me since there's more harmonic content hitting the filter-sort of like the overtone effects Kevin Shields gets by using vibrato while playing. It seems like the filters react differently as well. (I had been playing more with mono synths.) This really does make for richer, fuller vintage synth-type sounds.
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